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 | | | "There is only one way to defeat the enemy, and that is to write as well as one can. The best argument is an undeniably good book."
- Saul Bellow | | | |
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 | | | |  | | | Product Details
Format: Paperback, 1st ed., 768 pages
Edition: 1ST RIVERH
Publisher: Putnam Publishing Group, The
ISBN: 157322751X
Release Date: Jan 10, 1990
Average Reader Review:     (Based on 3 reviews.)
| |  | | | In Brief Remember the controversy attending the publication of The Western Canon? Well, hold on to your mortarboards -- critic, scholar, and Falstaffian gadfly Harold Bloom returns with his magnum opus, Shakespeare: The Invention of the Human. Whether deriding the tenets of the so-called "School of Resentment" or trumpeting the 39 plays of William Shakespeare as "the fixed center of the Western canon," Bloom is here at his audacious best, offering a passionate analysis of the ways Shakespeare not only represented human nature as we know it today but actually created it. Infusing literary criticism with an unusual narrative force, Bloom helps us to understand ourselves through literature, revealing "not only of how meaning gets started...but also of how new modes of consciousness come into being."
| | | | From The Publisher The New York Times bestseller from Harold Bloom...
A National Book Award Finalist, National Book Critics Circle Award Finalist, a New York Times Notable Book of the Year, and a Publishers Weekly best book of the year.
"The indispensable critic on the indispensable writer."--Geoffrey O'Brien, New York Review of Books
A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships--that Shakespeare not only invented the English language, but also created human nature as we know it today.
* A New York Times bestseller * A National Book Award Finalist * A National Book Critics Circle Award Finalist * A New York Times Notable Book * One of Publishers Weekly's Best Books of the Year * A Main Selection of the Book-of-the-Month Club * An ALA Booklist Editors Choice for 1998 * The culmination of Bloom's celebrated career--a long-awaited, complete assessment of his most beloved subject * Includes in-depth readings of every Shakespeare play * An essential reference volume for every home and school library
"A huge cloak-bag of ideas...It is a feast."--Wall Street Journal
"An enraptured, incantatory epic...dazzling...You could hardly ask for a more capacious and beneficent work than Shakespeare: The Invention of the Human."--The New Yorker
"A fiercely argued exegesis of Shakespeare's plays in the tradition of Samuel Johnson, Hazlitt, and A.C. Bradley, a study that is as passionate as it is erudite." --Michiko Kakutani, New York Times
"Bloom has given us the crowning achievement of his career...If any piece of literary criticism can have a practical effect--on our stage and imaginations--this is the one."--Salon
"Should this be the one book you read if you're going to read one book about Shakespeare? Yes."--The New York Observer
"Bloom...is a master entertainer." --Newsweek
"Very nearly perfect."--Kirkus
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 | | | | | Number of Reviews: 3 Average Rating:     
The Invention of the Critic     
-- Drew, an 18 year old English student, August 14, 2000
Also Recommended: Arden Shakespeare - Complete Works of Shakespeare How to Read and Why - Harold Bloom
The Bardologist breaks down Shakespeare like no one else can!!     
-- Ezra, an avid reader., September 4, 2001
Let Bloom be your Virgil     
-- Mr. James Perovich, a high school English teacher, January 9, 2002
Also Recommended: The Riverside Shakespeare, The Shakespeare Book of Lists, The Friendly Shakespeare, any Folger or Arden version of the plays.
| | | | The Reader's Catalog Bloom guides readers through the major plays, discussing the merits of performances he has seen, denouncing the critical misdeeds of "the School of Resentment" (as he calls feminists, Marxists, etc.), and otherwise holding forthAdopting the policy of the Bloomsbury writer Lytton Strachey, "never apologize, never explain," the protean critic Harold Bloom has assembled a range of entertaining assertions in his new book on Shakespeare, without stopping to argue for them. Readers will no doubt find what he has to say stimulating, whether or not they agree with it. Bloom, for instance, claims that Shakespeare created not only such very human characters as Falstaff, but also a good part of what we think of today as the human. In other words, Shakespeare "created us." If so, one might retort, he could have done a better job!
| |  | | | The Word On The Street 'I think our kind of inwardness, which really means our sense of personality, is a Shakespearean invention. He more than prefigured our humanity, its quandaries and dilemmas. Shakespeare so deeply pervades not just Western culture but so far as I can tell, all the world's culture.' Interviewed in The New York Times, November 16, 1998 Harold Bloom
| |  | | | Accreditation Harold Bloom is the Sterling Professor of Humanities at Yale University and Berg Professor of English at New York University. He is a MacArthur Prize Fellow, a former Charles Eliot Norton Professor at Harvard University, and a member of the American Academy of Arts and Letters.
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Macbeth (2 CDs) Performed by Anthony Quayle, Stanley Holloway, and full cast
Macbeth (2 CDs) Performed by Anthony Quayle, Stanley Holloway, and full cast
You'll need the RealAudio Player Plugin to play this clip, which you can download for free at Progressive Networks.

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|  | | | | Chronology | | | To the Reader | | | Shakespeare's Universalism | 1 | | I | The Early Comedies | | | 1 | The Comedy of Errors | 21 | | 2 | The Taming of the Shrew | 28 | | 3 | The Two Gentlemen of Verona | 36 | | II | The First Histories | | | 4 | Henry VI | 43 | | 5 | King John | 51 | | 6 | Richard III | 64 | | III | The Apprentice Tragedies | | | 7 | Titus Andronicus | 77 | | 8 | Romeo and Juliet | 87 | | 9 | Julius Caesar | 104 | | IV | The High Comedies | | | 10 | Love's Labour's Lost | 121 | | 11 | A Midsummer Night's Dream | 148 | | 12 | The Merchant of Venice | 171 | | 13 | Much Ado About Nothing | 192 | | 14 | As You Like It | 202 | | 15 | Twelfth Night | 226 | | V | The Major Histories | | | 16 | Richard II | 249 | | 17 | Henry IV | 271 | | 18 | The Merry Wives of Windsor | 315 | | 19 | Henry V | 319 | | VI | The "Problem Plays" | | | 20 | Troilus and Cressida | 327 | | 21 | All's Well That Ends Well | 345 | | 22 | Measure for Measure | 358 | | VII | The Great Tragedies | | | 23 | Hamlet | 383 | | 24 | Othello | 432 | | 25 | King Lear | 476 | | 26 | Macbeth | 516 | | 27 | Antony and Cleopatra | 546 | | VIII | Tragic Epilogue | | | 28 | Coriolanus | 577 | | 29 | Timon of Athens | 588 | | IX | The Late Romances | | | 30 | Pericles | 603 | | 31 | Cymbeline | 614 | | 32 | The Winter's Tale | 639 | | 33 | The Tempest | 662 | | 34 | Henry VIII | 685 | | 35 | The Two Noble Kinsmen | 693 | | Coda: The Shakespearean Difference | 714 | | A Word at the End: Foregrounding | 737 |
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Shakespeare: The Invention of the Human , by Harold Bloom
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Western Canon: The Books and School of the Ages, by Harold Bloom
Shakespeare's Language, by Frank Kermode
| | | | | | Keywords Psychological aspects, Drama, Characters and characteristics in literature, Humanism in literature, Personality in literature
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