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"I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relations; and suddenly find - at the age of fifty, say - that a whole new life has opened before you, filled with things you can think about, study, or read about...It is as if a fresh sap of ideas and thoughts was rising in you."
- Agatha Christie
(1890 - 1976),
An Autobiography,
1977
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ZIN Product Number: 10558892
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| | | |  | | | Product Details
 Format: Audio
Edition: Unabridged, 4 Cassettes
Publisher: Books on Tape, Incorporated
ISBN: 0736645209
Release Date: Jan 1, 2000
| |  | | | From The Publisher
In The Hours, Michael Cunningham draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters who are struggling with the conflicting claims of love and inheritance, hope and despair. The novel opens with an evocation of Woolf's last days before her suicide in 1941, and moves to the stories of two modern American women who are trying to make rewarding lives for themselves in spite of the demands of friends, lovers, and family. Clarissa Vaughan is a book editor who lives in present-day Greenwich Village; when we meet her, she is buying flowers to display at a party for her friend Richard, an ailing poet who has just won a major literary prize. Laura Brown is a housewife in postwar California who is bringing up her only son and looking for her true life outside of her stifling marriage. With rare ease and assurance, Cunningham makes the two women's lives converge with Virginia Woolf's in an unexpected and heart-breaking way during the party for Richard.
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| | | | | | The Reader's Catalog
Cunningham counterpoints the story of Virginia Woolf's last days with a tale of friends in contemporary New York that ingeniously echoes Mrs. Dalloway
| |  | | | The Word On The Street
What had at first been "schematic and precious" became improvisational, aiming for..."the loose, riffish quality of Mrs. Dalloway....I wanted my book to have its own life, not to be just an annex to Woolf's." In the end it became a triptych....Each story resonates within the others.
— Interviewed in The New York Times, April 20, 1999 —Michael Cunningham
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