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Quotations

"All last year we tried to teach him English, and the only word he learned was million."

  - Tommy Lasorda,
on pitcher Fernando Valenzuela

 

 

A Ripple from the Storm

 
  by Doris Lessing
 
 
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Take A Trip Around The Word
Take A Trip Around The Word
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ZIN Product Number: 10007909

 
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By The Numbers
 Product Details

  Format: Paperback, 1st ed., 336 pages
  Edition: 1st HarperPerennial ed
  Publisher: HarperCollins Publishers
  ISBN: 0060976640
  Release Date: Jan 9, 1995


 
 
Cover to Cover
 From The Publisher
Martha Quest, the embodied heroine of the Children of Violence series, has been acclaimed as one of the greatest fictional creations in the English language. In a Ripple from the Storm, Doris Lessing charts Martha Quest's personal and political adventures in race-torn British Africa, following Martha through World War II, a grotesque second marriage, and an excursion into Communism. This wise and starling novel perceptively reveals the paradoxes, passions, and ironies rooted in the life of twentieth-century Anglo-Africa.

A Ripple from the Storm is the third novel in Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and, taken together, an incisive and all-encompassing vision of our world in the twentieth century.

Author Biography: Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education.

Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than mostpeople because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into the realm of the general."

Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good.

Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century — their "climate of ethical judgment" — to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation.

In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society.

Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins.


 
 
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 The Reader's Catalog
A brilliant conclusion to the Children of Violence series, exploring the corruptions of postwar London

 
 
Critic's Corner
 The Word On The Street
"A powerful, prophetic, mysterious work, a truly extraordinary novel....The insanity of the 20th century...[and] the mystery of the self, explored brilliantly here as it is in her other masterpiece The Golden Notebook....Here is a book not to be read, but experienced."  —Joyce Carol Oates


"I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way, and it seemed to me that was the most important thing I could ever do."  —Barbara Kingsolver


"She is a mature ad valuable artist, adventurous in the mysteries of daily life, thoughtful, passionate, true."  —Stanley Kauffmann


"There can't, I suppose , be anyone left who reads modern fiction at all and isn't aware of the importance of Doris Lessing's work...Lessing knows just what she is doing and a real, densely imagined, completely credible world emerges."  —John Wain

 
 
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 Keywords
British, Africa, Southern, Fiction, Women, Zimbabwe, Lessing, Doris - Prose & Criticism, Fiction - General, Literary, General, Women, Fiction, Africa, Southern, Zimbabwe, British, Married women

 
 
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