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"The words that a father speaks to his children in the privacy of home are not heard by the world, but, as in whispering galleries, they are clearly heard at the end, and by posterity."
- Ricther
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ZIN Product Number: 10001043
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| | | |  | | | Product Details
 Format: Hardcover, 240 pages
Publisher: Wiley, John & Sons, Incorporated
ISBN: 0025473905
Release Date: Jan 7, 1991
Average Reader Review:   (Based on 1 review.)
| |  | | | From The Publisher
At the invitation of Herbert Berghof, Uta Hagen joined the faculty of the HB Studio in 1947. Since then, teaching has always been a challenge for her, as well as for the many prominent actors whom she has helped to develop. For many years, she has been asked to write a book. Now, here it is: an account of her own struggle with the techniques of acting and based on her teachings.
| | | | Annotation
This is a book for people who respect--or wish they could--the theatre on both sides of the footlights, for the actor and audience who favor truth in a creative process. The constructive stages of work delve into performance as well as the issues surrounding a necessary change in the theatre. Among Hagen's distinguished students were Jack Lemmon, Geraldine Page, and Jason Robards.
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 | | | | | Number of Reviews: 1 Average Rating:
A Good Start for an Actor
-- Shaelyn, an aspiring actress, August 7, 2000
| | | | The Reader's Catalog
An acclaimed book by the distinguished actress
| |  | | | PART ONE: The Actor. Introduction. 1. Concept. 2. Identity. 3. Substitution. 4. Emotional Memory. 5. Sense Memory. 6. The Five Senses. 7. Thinking. 8. Walking and Talking. 9. Improvisation. 10. Reality. PART TWO: The Object Exercises. Introduction. 11. The Basic Object Exercise. 12. Three Entrances. 13. Immediacy. 14. The Forth Wall. 15. Endowment. 16. Talking to Yourself. 17. Outdoors. 18. Conditioning Forces. 19. History. 20. Character Action. PART THREE: The Play and the Role. Introduction. 21. First Contact with The Play. 22. The Character. 23. Circumstances. 24. Relationship. 25. The Objective. 26. The Obstacle. 27. The Action. 28. The Rehearsal. 29. Practical Problems. 30. Communication. 31. Style. Epilogue. Index.
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| | | | | | Keywords
Acting, Performing Arts, Theater - Stagecraft, Acting & Auditioning, Acting, Performing Arts, Theater - Stagecraft, Acting & Auditioning, Acting, Performing Arts, Theater - Stagecraft, Acting & Auditioning
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